Eisenberg did lots of Flintstones work, but these covers aren't his. They're the work of Peter Alvarado. Note on Fred, especially on the front cover, how the drawing suggests eyelashes at the top of the eyes with a slight straight line where normally the oval's curvature would continue, and the parallel eyebrow above. That's an Alvarado "tell." So's the way he treats hands, though the evidence isn't quite so stark on the small hands of Wilma as it would be on Fred's open palms if he weren't gripping the wheel
BOTH AUGIE DOGGIE & DOGGIE DADDY IMAGES INKED BY PATRICK OWSLEY!
Patrick Owsley is available for all of your publishing, advertising and licensing cartoon art needs! He's also available for commissions. E-mail Patrick at powsley@flash.net.
HONG KONG PHOOEY & SPOT
INKED BY PATRICK OWSLEY!
FLINTSTONES COLORING BOOK COVER ART!
INKED by PATRICK OWSLEY!
DVDs FEATURING ART by PATRICK OWSLEY!
RANGER SMITH
SEASON'S GREETINGS!
SPOT from HONG KONG PHOOEY
CHRISTMAKWANZAKAH
PUBLISHING ART - THE DAN BAND
PETER POTAMUS
WOOLY
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Send me an e-mail at powsley@flash.net. I create cartoon art for licensing, children's books, advertising, comic books, DVD & video game packaging, logo designs and more. I have worked with Warner Bros. (Looney Tunes), Hanna-Barbera, Rankin-Bass, Classic Media (Underdog, Felix the Cat, Mr. Magoo), Funko, Archie Comics, DC Comics, Marvel Comics, Dark Horse Comics, Spumco and more! All characters are copyright by their respective owners.
3 comments:
Boy Fred loves to destroy that car!
These covers were drawn by the legendary Harvey Eisenberg (the "Carl Barks from Hanna-Barbera").
FLINTSTONES - 55 YEARS (1960-2015)
HANNA-BARBERA 4 EVER!
50 YEARS WITHOUT HARVEY EISENBERG
Eisenberg did lots of Flintstones work, but these covers aren't his. They're the work of Peter Alvarado. Note on Fred, especially on the front cover, how the drawing suggests eyelashes at the top of the eyes with a slight straight line where normally the oval's curvature would continue, and the parallel eyebrow above. That's an Alvarado "tell." So's the way he treats hands, though the evidence isn't quite so stark on the small hands of Wilma as it would be on Fred's open palms if he weren't gripping the wheel
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